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Monday, August 25, 2008
Prohibition of Music
A Shared Dilemma: Musicians, Publicans and Australian
Youth.
A
discussion paper
Synopsis
The term Liquor Industry is a generic reference
that has no useful meaning other than for those who regulate and tax alcohol and its consumption; AND those powerful lobbies
who have so easily manipulated governments to expand profits.
Public servants and politicians who lack relevant knowledge or experience, yet claim to improve the operation of
industry and commerce for the supposed benefit of consumers and the wider community, are easy to control and do not regard
election campaign contributions as the bribes that they are.
Moreover, those sectors of the community who are permitted to identify acceptable conditions of alcohol consumption
are invariably theorising academics who themselves are fringe-dwellers of Australian culture, and who are manifestly out of
touch with the realities of normative behaviour and the nature of the market place.
A significant casualty of the liquor market wars has been music; more especially, the pub rock that became the genesis
of globally famous rock bands of the 1970s and 1980s. The spurious identification of music as noise pollution, coupled
with the political nonsense that slavish compliance with an intolerant minority constitutes democracy in action, closed down
Australia’s iconic rock band pubs, one after another. Today, Australian music is in crisis, denied the critical nurturing
that regular gigs provide.
This discussion paper
presents the case for regulation of music by the judgement of democratic absolute majorities of venue feeder area
residents, and an end to dictatorial minority impositions.
It is suggested that a campaign that is supported visibly by youth, and by the music and pub/tavern industries, will
provide the kind of political pressure that the current line-up of politicians will be unable to resist. We have a window
of opportunity that will be open for a limited time.
Misguided regulation
As
with all governments that have bypassed once-traditional electoral consensus democracy, today’s arbitrary regulators
are guided only by the most powerful lobbies: major breweries and distillers, importers and distributors; and retail blocs
such a Coles and Woolworths, who enjoy the world’s largest duopoly of 80% market share. Hovering in the background are
the pokie pushers, who stiff-arm their gambling machines into venues now denied the once-lucrative attraction of bands and
music-loving crowds.
The ruthless
industrial monoliths have no interest in the issues confronting those on either side of the consumer interface.
In formulating liquor policies, Government heeds only
the resonating voices at campaign fund-raising events. Families and ordinary residents are heard only if they can organise
large enough lobbies; but few have the knowledgebase, let alone time and necessary wealth. The individual publican also is
not heard, yet is not permitted to adequately implement the product of his own market research and reshape his services to
meet local consumer demand.
Prohibition
of Rock Bands
The most bitterly
resented and damaging of regulatory impositions targets music, which has successfully attracted patrons to pubs and taverns
for some three thousand years. The part music plays in convivial and socially positive consumption of liquor is legendary,
and is supported not only by millennia of fulfilling commercial experience, but by the mainstream community and by non-academic
social science researchers who specialise in the outcome of interaction between alcohol and people.
Yet no element in Australia’s social life today is more unreasonably repressed
than rock music in pubs. Unbelievably, under regulations imposed by various state regimes since the 1990s, and to the total
exclusion of the mainstream community, a single individual can force the termination of rock bands playing in his neighbourhood
pub. Yet this music genre is the choice of the young people who politicians and police claim so piously to care about.
Majority rule is ignored and, very significantly, publicans
must install pokies to shore up otherwise declining patronage. While this paper does not intend to enter into the current
debate on the damaging social implications of machine gambling, what is stated here is that if the wider community
wants rock bands to play in their local pub, and the publican wishes to meet this consumer demand, this is entirely
his or her enterprise prerogative.
Prohibition
of Music; the social impact
There
has been little or no public discussion about the social impact of closing down Australia’s once famous pub-rock scene,
and such dialogue is well overdue:
- Without
live gigs, musicians cannot develop their art, and the quality of national music declines as a result. Australian music was
cut down in its prime just as Australian bands were dominating the top 20s throughout the western world and beyond. It was
primarily music, not sport, that took Australia to the world of 70s/80s era. The value of music as an ambassador and ambient
herald of trade and culture cannot be overestimated.
- Since the death of pub rock, young people have been forced
to emulate the pub environment at home parties, but with the logistic impossibility of demand meeting supply, large
crowds form and quickly exceed the capacity of domestic control. The inevitable arrival of police often leads to rock and
bottle throwing and destruction of property and, distressingly often, stabbings and deaths. Experienced observation suggests
that the trouble is generally initiated by older gatecrashers who would otherwise more likely have been attracted to pubs
featuring music and, therein, attractive young women. In such a regulated environment frustrated behaviour can be readily
contained.
- CDB Nightclubs have flourished, able to exploit their monopoly of the market. This has led to problems of overcrowding
and inadequate internal control; perfect conditions for sellers of speed, ecstasy and ice. What has been largely ignored by
police and others with oversight of traffic fatalities is that many patrons can walk to and from their local pub, whereas
clubbing at the local CBD usually requires use of private car transport. Those who glibly recommend taxis have clearly not
glanced at taxi fares lately or looked at the disposable incomes of most young people; nor have they taken their lives in
their hands at late night taxi ranks or otherwise confronted gratuitous street violence. An essential feature of reducing
both road fatalities and street violence must be restoration of popular Australian pub music.
- While no publican would admit this, even
under torture, excessive consumption of alcohol by a patron playing the pokies is often tolerated, because his or her inebriation
is not readily apparent, and because this is now the patronage that pays the staff’s wages. When all
is said and done, publicans are running a business for profit and in the current economic climate they sail closer to the
wind than any will admit. However, with music crowds, serious inebriation is immediately obvious and this is an incentive
for bar staff and security to refuse service to so-affected individuals. From a cost-benefit point of view, the larger crowds
generated by music more greatly enhance turnover, and hence, profit. It may be readily appreciated that, through more effective
on-site regulating of alcohol consumption in individuals who are enjoying music, per capita abuse of alcohol is actually
reduced, while profits expand. For society as a whole, this is a win/win situation.
- Because cynical politicians neither know
nor care about issues of violence; to be seen as genuine, they appoint formulaic membership of inevitable ‘community
management’ committees, which include the mandatory sports heroes, clergy, psychologists, public servants and victims;
thereby ensuring a contest of aspiring perennial committee appointees. The rather mindless product of such amateurish collectives
has been a tendency to attribute increasing youth violence to alcohol consumption. In reality, destructive or aggressive behaviour
under inebriation is the final product of a chain of negative influences and events, which is manifested only in certain affected
individuals. This is also why most people are cheerful and pleasant when drunk. What primarily precipitates violence is intergenerational
poverty; something government does not want to hear about. Yet as the ancient saying goes, when money
goes out the door, love flies out the window. Parental conflict, and often subsequent violence, blights young lives and
generally closes off visible options in life. Nurturing of children ceases. It is during those volatile teenage years that
alcohol plays its part in removing the inhibitions that otherwise contain simmering anger and resentment. In Australia, the
reality is that government policies of tariff removal created the grinding poverty that envelops a measured 54% of Australia*,
by allowing cheap subsidised imports to disintegrate two thirds of Australia’s farms and almost half of our manufacturing.
This resulted in the loss of three million full time jobs over a period of three decades. If Government is serious about youth
violence it should address the real causes and not the drinks that precipitate the final reaction. But church and government’s
simplistic response places pressure on police, EPAs and local governments, who then move to restrict music/alcohol venues
to more easily patrolled central locations; which inhibits healthier decentralisation; from CBD clubs to suburban pubs.
Urgent
Need of Reform
Reformation of the
pub industry may be more urgent that most of us might anticipate. We need glance only at one possibility in our immediate
future to gauge this urgency:
Brief perusal
of reputable Internet financial and oil industry sites will confirm that if Israel or the US were to launch the long-threatened
attack on Iran, the price of fuel in Australia would be in the vicinity of $4 per litre; and not incrementally but overnight.
Some estimates go as high as $6. This is not an issue of oil supply, but of the commodities futures market, as ordained by
NYMEX (New York) and IPE (London).
The immediate
impact on pubs can be speculated upon with reasonable accuracy. The inevitable collapse of most transport industries following
a doubling of fuel prices will cause a steep rise in unemployment. Gambling revenues will fall dramatically. This can be easily
understood if we accept that there are two basic types of gamblers. The rational patron gambles only with disposable
income; whereas the second type, the compulsive gambler, survives on what remains after a session.
With surpluses of domestic budgets evaporating in the heat of rising prises, the
locally-residing rational gambler market will largely dry up. With tighter margins for error and misfortune, the
compulsive gambler will quickly become homeless, and his increasingly compulsive gambling will be limited to dice
and cards in doorways and alleys. In other words, a significant source of contemporary pub revenue will be diminished.
However, youth will always dance and sing, and pub music
venues will actually experience expanded crowds, although revenues may well be limited by the reduced flow of money within
the community. This, indeed, was the experience in the western world during the Great Depression (although the illegal nature
of liquor venues during the US’s Prohibition era makes accurate international comparison difficult). In fact, historical
research shows that the more impoverished patron venues will attract significant moneyed visitation by individuals whose motivating
credo is that if you got it; flaunt it. What publicans lose on the merry-go-round, they will gain on the roundabout.
The enterprising publican, who anticipates market change
by investing in regular gig contracts for promising bands now, will undoubtedly lead the market in the future. Many of those
who do not may be forced off the market altogether, because there are several other predictable events on the horizon that
will drive fuel prices higher, and impacts will be cumulative.
In summation, there are compelling social and financial reasons why publicans and musicians should lead the campaign
to:
- Demand of government that the entirely
inappropriate, anti-cultural, unreasonable and undemocratic appellation of noise pollution in reference to music,
be terminated; unless a saturation survey of citizens within the venue feeder locality determines otherwise;
- Seek
support from young people, musicians, promoters, music retailers and other relevant beneficiaries;
- Promote
this revival on Internet, youth radio and commercial TV.
Copies of this discussion paper can be obtained for
Internet transmission by requesting an e-mail attachment from Ryan Research on tonyryan43@gmail.com
Note: Everything said in this discussion paper is open to challenge and nothing is set
in stone. This is essentially a catalyst for discussion by the pub and tavern industry, associates and patrons; and by musicians,
promoters, managers and supporters. Depending upon the balance of advertising lobby impacts on the media, it is hoped that
radio and TV stations will join the campaign.
Alterations,
contributions, enhancements or changes to this discussion paper should be forwarded to the coordinator and these will be collated
and incorporated in a revised version. If consensus is achieved, a final Position Paper will then be vigorously presented
to Government, and on a variety of levels (concerts, advertisements, flyers, events); as the Consensus Position of the pub
and tavern industry, the music industry, and their respective employees, patrons, promoters and supporters.
As this incorporates around 60% of the Australian population, and in a political
environment in which Government is becoming increasingly nervous about its lack of genuine voter-perceived achievement, our
chances of success are excellent.
*The
referred-to survey was conducted by Ryan Research in July/August 2006, for the AIA organisation and published in
the micro-tabloid Australian Independent. The interactive questionnaire sample survey targeted a previously validated
demographic corridor (Maroochy Waters, Kaluin, South Maroochydore and Buderim) on the Sunshine Coast, Queensland; selected
for its aggregate representation of and from around Australia, and because of the positive margin of error created by its
(proselytised) tourism-led prosperity. Published summations are available free, either in PDF form or hard copy.
Ryan
Research: Tony Ryan is a former seconded researcher for the Northern Territory Liquor Commission, with a record
of successful research and containment of substance abuse and family violence while an officer of the Commonwealth and NT
Governments. He also has experience in developing innovative techniques of market identification and penetration in music
promotion, eco-adventure tourism, Aboriginal development, agriculture and real estate. As a musician and writer, he is an
enthusiastic supporter in the cause of developing Australian music, and in the improvement of employment and social conditions
for Australian youth.
3:58 pm est
Tuesday, August 19, 2008
An American TragedyWhen I was a youngster it was always a treat to be at the light rail station
in Quincy Center to watch the hordes of Quincy Shipyard workers emerge from the trains, dressed in dungarees and hard hats,
and carrying lunch pails and thermoses. They would then pile on to shuttle buses to take them out to the huge shipyard, with
its enormous crane painted with the logo, General Dynamics, dominating the skyline.
Back in those halcyon days there were three shifts, so one was always certain to see a large contingent either leaving
or arriving. Such was the natural order of things, or so I naively thought. Little did I know that I was seeing the last of
a dying breed. Some twenty years ago the plant closed. Half-hearted efforts were made to revive it, but none of them were
ever successful. It just sits rusting away, an all-too familiar symbol of what America has become. America has come a long way since the glory days of Word War II, when assembly lines blossomed and shipyards turned
out battleships like a hen turns out eggs. American industrial might defeated Germany and Japan. Back in those days we produced
everything we needed ourselves and exported the rest. We didn't have, or want, NAFTA or CAFTA or "globalization".
Three or four generations of the same family would work in high-paying manufacturing jobs at the same plant. As long as you
were willing to work, you could support yourself and your family. Those
days are dead. Manufacturing as a share of the economy has
been plummeting. In 1965, manufacturing amounted to 53% of the economy. In 1988 it had dropped to 39% and in 2004 manufacturing
amounted to a insignificant 5% of the economy. This year alone tens of thousands of more jobs have been shed. American manufacturing
is dead, gone forever. Do you remember voting for this? No?
I don't either. Manufacturing loss is occurring because
of globalization, which leads to outsourcing, which leads to loss of jobs. Today, the trend is so severe, analysts in some
industries predict that a quarter to a half of all American jobs are likely to migrate. Of course, when this free-trade nonsense began, we were all told that globalization would free the American worker
from those awful factory jobs. The Americans would be in the white collar jobs, doing research & development. Let some
Chinese in Shanghai screw widgets together. Well, it hasn't worked out that way. Here are some statistics on what happens
to people who lose their manufacturing jobs. The average wage of a manufacturing worker is $51,000. Almost invariably, they
switch into the service sector, where they can expect to make $16,000 in hospitality, $33,000 in health care, or $39,000 in
construction. Research & development? It's moved to China and India along with widget-screwing. How much longer will we Americans tolerate this stupidity? I notice the two candidates,
Tweedledee and Tweedledum never mention this. Different mantras are trotted out by various members of the chattering classes,
like "education". You can have all the education in the world, but as Paul Craig Roberts so deftly points out in
his invariably brilliant columns, what good will it do you if the only new jobs this economy has created in the past eight
years are in the fields of waitress, janitor and home health aide?
I often wonder what will happen on the day when the slow strangulation of the once-great American working class is
complete. Will we all make $7.00 an hour and live in trailers? Will whole cities become abandoned, filled with packs of wild
dogs and feral human beings? I read a terrifying story about Detroit this week. A lot with an abandoned house in Detroit goes
for $100.00. If the house has been torn down then the price is $300.00. I guess a house in Detroit has negative value. Things
are so bad that people are exhuming the bodies of their loved ones from local cemeteries and taking them with them when they
leave Detroit- or is the word flee? There was yet another tragedy
at the shipyard in Quincy last week. The huge crane which sat proudly over the shipyard was sold- sold to Romania. While it
was being dismantled, one of its giant legs crashed to the ground, killing Robert Harvey, 28 and a recent bridegroom, and
injuring four other workers. One bad thing, in this life, invariably leads to another, and if the American people continue
to sit idly by as their country is destroyed, who knows what the end will be? Each man's death diminishes me For I am involved in mankind Therefore send not to know For whom the bell tolls It tolls for thee
8:40 am est
Tuesday, August 12, 2008
The Silly SeasonSome time ago I asked the question, " 72% of the US
population no longer supports President Bush. What are the 28% that still support him like? Are they mongoloids? Hydrocephalic
idiots?" I would like to apologize here to
both mongoloids and hydrocephalic idiots. I was being unfair. A supporter of George W. Bush has stepped forward to share his
views, such as they are, with us. It was a bit hard to decipher his message to me, as it was covered with HTML tags (Why do
I feel he just downloaded it from somewhere on the web and the HTML tags came up, as they sometimes do when you use the wrong
program to download?) "I bet you had everything
handed to you on a silver platter. I can only assume, you are a product of the 1960's and the hippy dippy movement" Geez, "John", do I look like some aging hippie? I
better have new pictures taken, and quick. I love the "silver platter" part, too. No, "John", I did not
have anything handed to me on a silver platter. You must be thinking of your hero, George W. Bush. I came from a background
so deprived that we did not even go to thrift stores to buy our clothes- my mother and I stole the clothes from the thrift
store donation boxes. When Ronald Reagan handed out the free butter and cheese in the early '80s, my mother and I both
stood in line at the local firehouse to get 2 boxes apiece of butter and cheese. My mother noticed they put on a new shift
of firemen, so we went to the end of the line and got more boxes. Real butter! We hadn't eaten real butter in years. "John",
in case you didn't know, this is called "poverty". "John" continues:"
I honor George W. Bush for having the moral back bone (sic) to not only stand up to islamo fascists, but take the war to them"
This is a very interesting statement. I have read
various stories about people who were so brainwashed that they actually thought Saddam Hussein and the Iraqi people were responsible
for 9-11, instead of 20 wackos in a cave in Afghanistan, but I have never actually met one. I also am very happy to learn
that Bush's" back bone" (spine?) is moral. It's a crying shame that this morality could not have traveled
a few feet upwards so that he was also possessed of a moral heart and soul. " I, unlike you haven't= forgotten,
islamo fascists attacked and murdered close to 3000 innocent Americans. Attacked American Embassys, etc." "John", I haven't forgotten. Why George W. Bush
felt that murdering 100,000 innocent Iraqis... and that is the lowest of the figures I have read from that hot bed of "islamo
facism" The Lancet, the journal of the British medical establishment- was any type of morally correct response
to 9-11 is beyond me. Have you ever heard the parable of Alexander the Great and the Pirate, "John"? Alexander The
Great was about to execute a well-known pirate. The pirate shouted from the gallows, "How dare you execute me!"
Alexander responded, "Why, you despoil the seas; you rape and plunder." "So do you" the pirate jeered,
"But because you do it with a mighty army and I with a little boat, you're a great man and I'm a criminal." I guess killing innocent people with bombs is perfectly OK
to the "Johns" of this world if the bombs are coming out of a plane with "USA" painted on its side. Who
cares- they're just "islamo fascists" anyway. "John" finishes his diatribe
with"I am always amazed by folks who screach (sic) peace, peace and have no idea what the cost of peace is. So, who or
what are you willing to part with for what you call peace (in reality, no conflict)." Well, I guess a good definition of peace is "no conflict" although that
state is obviously anathema to people like "John" as he seems to feel it's an insult. What am I willing to "part
with" for peace? Let's turn the discussion over to an individual who knew a lot about war, or as "John"
would probably put it, "no no conflict", Dwight D. Eisenhower. "I hate war as only a soldier can hate it. I
hate its stupidity, its brutality, its ignorance". "John" , I know the cost of peace. Do you know the cost of war? To turn from war to love, from Mars to
Venus, the John Edwards- Rielle Hunter bimbo eruption had America riveted this week. I supported John Edwards as he was the
only candidate talking about the growing divide between rich and poor and the abomination which is the American health care
system. I don't want to say that I made a
mistake- I didn't worship the man or anything. I just felt that he was the best of a bad lot. Last summer I went to see
John Edwards in person. Hundreds of people were packed into a seedy Irish bar with a distinct lack of air-conditioning to
see the candidate. I sat with a girl I had just met there, discussing the candidates and looking anxiously about for my husband,
who had disapeared into the mob at the bar in an attempt to get us drinks. Someone; one of Edwards' bodyguards I assume, boomed out, "You girls can't sit there! You'll be
crushed !" and swung us both on top of the banquettes that lined the room. As I am six feet tall and an amateur bodybuilder,
I was rather impressed. I don't think I've been swung since I was eight. Another man following him shoved Edwards
'08 signs in our hands, and another man followed, filming us. I guess this scene was meant to be preserved for future
use as a spontaneous and genuine show of support for the candidate. I stood there nervously picking at my Liz Claiborne suit,
which was beginning to stick to me in the terrific heat. Suddenly John Edwards appeared from the back of the bar. He was beyond perfect. Not a hair on his head was out of
place, and his crisp blue shirt had its sleeves folded up with the geometric precision of origami. Maybe they had been keeping
him in the icebox. As he advanced forward to speak, he stopped and looked me over quite intently. At the time I just thought
he was staring at a six-foot tall woman standing on top of a banquette and stared back unconcernedly. Now I am not so sure.
If the Bill Clinton era taught us anything, it's that if there's one bimbo, there's more. Susan Menchey can be reached at velvet500@gmail.com, although
why anyone would want to contact such a hippy dippy, brie- cheese- eating peacenik is beyond us.
10:22 am est
Tuesday, August 5, 2008
Lavender Can Be Deadly- The ConclusionDorothy & Paul Dorothy Millette and Paul Bern met in 1911 at the American
Academy of Dramatic Arts, in New York City. They fell in love, and lived together in many locations, most notably the Algonquin
Hotel in New York City, home of the famous "Round Table" of wits and raconteurs. It is not known why they did not
marry- people in 1911 really didn't "live together"- or if their relationship was consummated or not. However,
by the laws of New York State, they were legally man and wife, in what was then called a "common-law-marriage".
Acting jobs proved elusive for both Dorothy and Paul, for Paul because of his lack of good looks and for Dorothy because of
her lack of talent. Paul began moving into freelance writing and various stage assistant jobs, both of which he found some
success at. In 1920, tragedy struck. Something happened- some writers on the
case have speculated it was the suicide of Paul's mother when she found out he was living with a shiksa, or non-Jewish
girl, although evidence for this being the motive for Paul's mother to end her life seems anecdotal at best- but whatever
the cause, Dorothy suffered a complete breakdown, and was never completely well again. She spent a year in a deluxe private
mental hospital, The Blythewood Sanitarium, in Greenwich, Connecticut, registered as "Mrs. Paul Bern" When she was
released, she returned to the Algonquin Hotel, all alone. Paul had gone to Hollywood, where he was to find great success.
Every month she received a letter and a support check, and would occasionally be visited by Paul's brother, Henry Bern,
as Paul claimed "it made him ill" to be around Dorothy. After Paul's
death, Dorothy Millette was interjected into the investigation by Henry Bern, much to Howard Strickling's disgust.The
M-G-M front office had wanted an open-and-shut suicide case. Soon every newspaper stringer in the country was searching for
the woman that Henry Bern had said was "morally married to Paul". However,
they were too late as poor Dorothy was already dead. Several months before she had suddenly relocated from New York to the
Plaza Hotel in San Fransisco, ostensibly to be with a sister. The day after Paul's death Dorothy checked out. She left
her grip and trunks with the front desk clerk and told him to keep her room for her as she was going on "a little trip". Dorothy booked passage on the Delta KIng, a paddle-wheel steamer bound for
Sacramento. Several men on the boat commented later to the authorities on her beauty. After picking at
her dinner, Dorothy stood on the deck as the sun went down, When it was dark enough she removed the jacket of her chic traveling
outfit and kicked off her shoes. She threw herself over the side, dying instantly after being struck by the paddle wheel.
Later, after the jacket and shoes were found on the deck, the boat was searched.and one passenger was discovered missing.
In her cabin was a white container with yellow flowers on it, designed to hold a bathing suit and swim cap. The cap was there,
covered with orange and yellow flowers, but the swimsuit was missing. She was registered as "D Millette". The Case Against Dorothy Millette Paul Bern's friends at the
studio could not bring themselves to believe that their good friend and co-worker had committed suicide. (Suicide and mental
illness were even more taboo subjects then than they are now) Everyone knew about Mayer and his top people being in the dead
man's house for hours on that dreadful day.There must have been a coverup. Then, at the inquest, a doctor had testified
that Paul Bern had abnormal genitals. It seems that although the autopsy report is in tatters and other pertinent documents
have conveniently vanished that the doctor was trying to say in a discreet way that Paul's genitals just never grew, that
they were miniature. Jean did not appear at the inquest, sending a doctor with a note, although she was questioned by four
detectives from the Los Angeles District Attorney's office the day after Paul's death. Paul Bern's friends became more and more convinced with the years that the entire story of Paul's death
was a lie, that he was a normal man physically and emotionally, that they would go out and find woman he had slept with, (they
came up with one, Sally Rand, the fan-dancer) that Jean had been told to lie by Mayer in exchange for her contract not being
canceled, and that Paul had been murdered. One friend of Paul's, Samuel Marx, spent years trying to, as he thought, clear
his old friend's name. He eventually published a very interesting book on the case called Deadly illusions: Jean Harlow
and the Murder of Paul Bern. In it, he names Dorothy Millette as the murderer. Marx
makes a fairly compelling case. He says that reading about Jean and Paul's marriage, which was featured in magazines and
newspapers across the country, unhinges Dorothy. He says she plans then and there to interfere with Paul's new marriage
and that is why the move to San Fransisco.occurs. From San Fransisco, Dorothy harrasses Paul, and finally he invites her to
his house on Easton Drive for a talk on his new marriage and a swim. So that Jean will not find out, he picks a huge fight
with her about money, and Jean departs for her mother's. Dorothy soon arrives and she and Paul drink champagne together.
They argue and Paul suggests a swim. After the swim Dorothy takes her bathing suit off and attempts to initiate sex (In Marx's
story, remember, Paul is a normal male) Paul refuses and Dorothy pursues him into the house, to his dressing room.She finds
a gun there and shoots him in the right temple.Terrified, Dorothy flees the scene, leaving the bathing suit and a high-heeled
pump by the pool, along with a couple of bloody, broken champagne glasses. She jumps into the limosine that Paul had ordered
for her, to bring her to the meeting at his house, and demands to be taken back to San Fransisco.There, filled with guilt,
she books passage on the Delta King and kills herself, although Marx leaves the door open for M-G-M being involved
in her death in some way. Obviously, the bathing suit places Dorothy Millette
at the scene. But does the rest of Marx's story make sense? Why move from New York to San Fransisco to make trouble for
a man who lived in Los Angeles? If Dorothy really wanted to make trouble she would have stayed in New York and hired a good
lawyer. Jean's and Paul's marriage would have been exposed as bigamous and fraudulent, and chances are great that
M-G-M would have fired and blacklisted both of them.The rest of the story makes no sense either. Of course, human beings do
foolish and stupid things all the time, like marrying someone bigamously, but it seems to me to be way outside the realm of
probability that Paul would have invited Dorothy to his house to go swimming. If he felt a deep need to meet with Dorothy,
he could have gone to San Fransisco. As Paul spent years of his life avoiding Dorothy, I am not sure why he would have met
with her at all. As far as the story about Dorothy harrassing Paul goes, Paul had a private secretary, like all M-G-M executives.
How could she even have got through to him, if he gave orders forbidding it? She couldn't. And then there's that pool
party. Why would Paul, who "felt sick" around Dorothy swim and drink champagne with her? Would this big treat make
Dorothy forget that Paul was a bigamist, go back to New York, and do nothing? As
far as I am concerned, there are only three pieces of actual evidence against Dorothy Millette. The first is that she was
Paul Bern's wife. The wife always kills the husband and the husband the wife, if we look at the statistics. The second
actual piece of real evidence was the bathing suit. This, along with the matching case and cap found on the Delta King,
places Dorothy at the crime scene. The third was Dorothy's suicide, which suggests a guilty conscience. However, it is
possible to feel guilt and responsibility for a man's murder even if you did not personally pull the trigger. There is also the matter of Marx's theory that Louis B Mayer completely invented the story that Paul and
Jean did not have sex and that Paul had a rudimentary penis. In Marxworld, Jean goes along to save her career. Why is this
bizarre and outre story preferable to Paul's just offing himself because he was in ill health, or depressed, or for some
unknown reason? (Remember, it wasn't until Henry Bern came to Hollywood, which was several days later, that anyone knew
about Dorothy Millette's existence) Why would Louis B. Mayer invent this peculiar tale out of whole cloth? All I can say
is, if he did he must have had a remarkable imagination. And, while there were those in Hollywood who adored Mayer and those
who despised him, there are many things a man will do. But, murdering a middle-aged woman whose husband had left her for a
bigamous and fraudulent marriage with a young girl by shoving her off a paddle-steamer, as Marx suggests,was not one of Mayers'. The Case For Suicide In his excellent book Bombshell:
The Life and Death Of Jean Harlow David Stenn comes out strongly for suicide. His theory is that M-G-M started all the
rumors by their stupid and foolish destruction of the crime scene, which was that of a suicide. Paul knew that the gig was
up, that his two wives had met accidentally, and that he had lost Jean forever.She had run away to her mothers', and that
was that. Soon she would tell Mayer and Thalberg, and he would be fired. Even if Jean had wanted to remain with Paul, no film
star could be seen to be living in a bigamous relationship.Everything was over,and Paul was taking the only way out. He wrote
two suicide notes, one to Jean and one to Dorothy. These were destroyed by Mayer and Strickling. This theory, although it is more logical than Marx's, still has some pretty big holes in it. What was Dorothy
doing at Paul's and Jean's house? If she just suddenly happened to show up there, why did she have a bathing suit
with her? Did Paul want Jean to get to know Dorothy for some bizarre reason- a reason that backfired? Whose shoe was out by
the pool, and why were there two broken champagne glasses covered in blood? Why did M-G-M need to stage the crime scene if
it was just a suicide? What was there to stage? I am sure my readers are wondering
why Paul just didn't divorce Dorothy, if he wanted to be married to Jean.The answer is that in the 1930's, divorce
was not a right but a privelege .It was almost impossible to get a divorce for any other grounds but adultery, cruelty, or
desertion. Getting a divorce because you did not feel like being married to a particular person any more was not an option.It
was even less of an option if that person had been certified as insane, as Dorothy had. The marriage ceremony contained the
words, "In sickness and in health", and the Divorce Courts treated those words with a deadly seriousness. No, Paul
could only have divorced Dorothy if Dorothy agreed to cooperate, say by filing papers for desertion by Paul- which would have
had the advantage of at least being the truth. Since Paul never even attempted this, he must have known that Dorothy would
not be interested. As the Sacramento River was being dragged for Dorothy's
body- it was finally found in an inlet, horribly decomposed- Los Angeles District Attorney Buron Fitts focused his investigation
on Jean Harlow. Fitts is remembered for being one of the most corrupt public officials ever to grace the City Hall of one
of our larger American cities, so we have no way of knowing if he really did suspect Jean, or if he was just attempting to
frighten M-G-M into bribing him. Jean met with him several times for questioning. However we have no idea what transpired
during these meetings as Louis B. Meyer, helped along by bucketfuls of supportive telegrams and letters from the public, had
made the decision not to fire Jean. A bribe was duly paid out to D.A. Fitts, and the pertinant interviews "dissapeared".
Paul's death was declared a suicide and the matter officially closed. Putting The Puzzle Together What really happened? No one can say. However, I have my own theory. I
think that life with Paul Bern, for someone as young, eager to please and transparently open as Jean was, was no bowl of cherries.
"He treated her as if she were a stupid girl, and she was not" says Elaine Rogers St. John, Adela's daughter.
I think that ties it up in a nutshell. Means, Motive, and Opportunity. The Trinity
that makes a murderer. Who had them in this case? Who despised Bern? Who was obsessed with Jean's career? Who controlled
Jean's life in an unhealthy way? Who adored Jean, in a way perhaps narcississtic and unhealthy, but adored her none the
less- to the point of being willing to do anything to protect her? Mama Jean. This is what I think happened. In June, Jean marries Paul. Mama Jean is not happy.
"Mama Jean wasn't stupid. She knew this guy was a phony" said Howard Strickling. Jean begins confiding to Mama
Jean about Paul's belittling behavior. Mama Jean's discomfort with the situation increases. In late July, Jean begins receiving letters and telephone messages from a woman called Dorothy Millette. She
puts Dorothy down as the type of person celebrities unfortunately have to deal with. The letters and calls continue. Mama
Jean either finds out about them while helping Jean with her fan mail, or is told of them by Jean. Mama Jean sees a light
at the end of the tunnel. On August 17, Mama Jean, Jean, and Marino Bello go
to San Fransisco. They rent a suite at the Mark Hopkins Hotel. They only remain an hour, and return to Los Angeles. I submit
that they went to San Fransisco to meet with Dorothy, to see if her story had validity. Dorothy shows them letters from Paul. Between August 17 and September 5, I submit that Mama Jean and Jean had many discussions
on what on earth Jean was to do. Of course the truth could never come out. There were many actresses who had been run out
of Hollywood for far less than bigamy. Also, Paul had power at the studio. Between
August 17 and September 5 Paul buys several more guns and takes out an $82,000.00 life insurance policy, payable to Jean.
What is he so afraid of? During the first week of September, Mama Jean decides
that Paul is to be eliminated.There is no other way out, and besides, he did a bad thing to her Baby. She calls the Plaza
Hotel in San Fransisco, and arranges for Dorothy to come to a "pool party" at Jean's and Paul's. Flattered,
Dorothy accepts. Mama Jean calls M-G-M and arranges for a limosine to pick Dorothy up.In a subtle, final gesture of contempt
she arranges for the limosine to be charged to Paul. She then makes another phone call- to Longy Zwillman, Jean's gangster
ex-lover. On September 4, Dorothy arrives at Easton Drive and is met by Jean,
who expects her. They swim and drink champagne together. Paul arrives home, to be greeted by the spectacle of his two wives
laughing and swimming together. Paul, humiliated beyond reason, argues loudly with Jean. Jean gets out of the pool and goes
into the house. She gives Paul a breezy exit line worthy of one of her films, "When you've figured out who you're
married to, let me know". Paul then turns on Dorothy and screams, "Get out of my life!". Dorothy goes into
the house with Jean. The two ladies change back into street clothes in seperate bathrooms. Dorothy carefully rinses her suit
out in the sink and hangs it up to dry. Jean leaves for her mother's house. The
first part of Mama Jean's revenge is over. Dorothy remains at Easton Drive,
having no where else to go, and argues with Paul that she had been invited to his house and had done nothing wrong. The argument
intensifies. Relieved, Dorothy hears the limosine come back. She races out to the garage, losing her shoe by the pool, and
stumbles into the limosine, which speeds off. The Carmichaels, during the earlier
part of the evening, had gone over to Club View Drive to cook dinner for Jean and Mama Jean. They were then driven back to
Easton Drive, to their apartment over the garage. The rest of Mama Jean's evening is free. I think that Zwillman and Mama Jean went over to Easton Drive. Paul was sitting by the pool, beside himself with
rage and humiliation, like all selfish, abusive people are when they are exposed.. The gangster slugs Paul, who falls on the
champagne glasses, cutting himself. Zwillman drags the diminutive producer into the house. Once inside, Zwillman shoots Paul
in the head. Mama Jean has her own addition to the crime scene- a forged love letter of a homosexual nature between Bern and
an M-G-M figure. This, she feels, is a red herring which will destroy Paul's credibility and make it impossible for M-G-M
to fire Jean, as she will know too much.As they are leaving. Mama Jean is spotted briefly by Clifton Davis, who does not see
her clearly, just that she is blond and larger than Jean. Proponants of the Dorothy Millette murder theory have always assumed
that this was Dorothy.I submit that it is possible for two expensive cars to be at one location on one evening with two different
blondes- just at different times. Did it really happen this way? Longy Zwillman
said so. It is also the only version which takes into account statements made by servants and neighbors to newspapers directly
after the crime itself, before they had been got to by M-G-M. All the sound effects- the statements by Paul and Jean, the
laughing and then the arguing, powerful cars arriving and leaving-were all witnessed by neighbors or servants.Of course by
the time they got to the coroner's inquest, nobody saw anything or heard anything or knew anything. It stayed that way,
forever. After Paul Bern's death Jean was a bigger star than ever.But Jean
herself was never quite the same.She slowly drifted into a lifestyle of alcoholism and meaningless affairs. She died of uremic
poisoning following a septic abortion five years after Paul's death on Monday, June 7, 1937, still amazingly young at
twenty-six. Mama Jean was shunned by the film colony following her daughter's death. She moved to the
San Fernando Valley and became a recluse. Her house was set up as a shrine to Jean. She died, unmourned and unnoticed, on
June 7, 1958, 21 years to the day after her daughter's death.
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